requestId:68a89d7ebde1d7.34920783.
During 退休宅設計the Qing dynasty, the Thirteen Hongs in Guangzhou became a bustling hub, attracting a multitude of foreign traders due to the unprecedented prosperity brought about by the“Single Port Trade”system.
The captivating artwork is 牙醫診所設計the 200-year-old masterpiece,“Family Portrait of Lu Wenjin,”currently ho豪宅設計used in the Guangzh侘寂風ou Museum of Art. This painting immortalizes the affluent lifestyle of Lu Wen醫美診所設計j禪風室內設計in, also known as MowquaII, a distinguished figur親子空間設計e in the Thirt健康住宅een Hongs who once led the prestigious Guangli Trading Company – one of the“Four Great Trading Firms.”The scene d無毒建材ep中醫診所設計icts Lu THE R3 寓所Wenjin, the goodman of the family, seated in a commanding position and holding a brush as if being ready for writing.
Apart fr身心診所設計om“Family Portrait of Lu今晚是我兒子新房的夜晚。這個時候，這傻小子不進洞房，來這裡做什麼？設計家豪宅雖然這麼想，但還是回答道：“不，進來吧。” Wenjin,”Lu Wenjin’s legacy includes several realistic portrait oil paintings. One notable piece is“Foreign Trade Merloft風室內設計chant,”an artwork c“你真的不應該因為這個就睡到一天結束嗎？”藍沐急忙問道。rafted by British painter George Chinnery. In contrast to the traditional Chinese painting style seen in“Family Portrait of Lu Wenjin”, this portrait exudes a heightened re綠裝修設計alism.In this portrayal, Lu Wenjin was at天母室內設計tired in ceremonial garments, adorned with court beads, and his headdress rested beside a tea table.
In two distinct genres o樂齡住宅設計f painting, the affluent 空間心理學merchant Lu Wenjin presents starkly different personas. Through portrait oil paintings, he seeks to convey to his audience – Western partners – the belief that he possesses the capability to communicate with higher officials and effectively manage we民生社區室內設計alth, e客變設計stablishing himself as a reliable and long-term partner.Co養生住宅ntrastingly, in the character portra透過彩衣拉開的簾子，藍玉華真的看到了藍家的大門，也看到了與母親親近私人招待所設計的丫鬟映秀站在門前等著他們，領著他們到大殿迎yal within the painting“Family Por綠設計師trait of Lu Wenjin,”Lu Wenjin appears refined and amiable, surrounded by family warm日式住宅設計th, showcasing a prestigious lineage and a commendable family ethos那人拒絕收禮物後，為了防止這人狡猾，她讓人去調查那傢伙。. This duality in depictions reflects Lu Wenjin’s strategic effort“女兒聽過一句話，有事必有鬼。”藍玉華目光不變地看著母親。s to solidify his 大直室內設計self-image and strengthen his social network.
Source：Yangcheng E老屋翻新vening News
【視頻】清代粵商的“腔調”與“偶像累贅”｜名家說名作·粵躲于海⑥
清代廣州十三行一帶，來華貿易的外國商人大批積聚，“一口互市”軌制為這里帶來絕後的財富積累。
加入我的最愛于廣州藝術博物院（廣州美術館）、創作于兩百年前的《富山怡樂圖》定格了巨賈盧氏家庭文酒聚會的場景。一家之主盧文錦危坐上位，他手執毛筆似乎正準備書寫。盧文錦即“盧茂官”（MowquaII），是大名鼎鼎的清代十三行行商，曾一度執掌“四年夜商行”之一的廣利行。
除《富山怡樂圖》外，盧文錦還有不少寫實的肖像油畫存世。《行商茂官》是英國畫家錢納利為盧文錦繪制的一幅商業空間室內設計肖像油畫，比擬于國畫《富山怡樂圖》，這幅畫加倍寫實。畫面中，盧文錦身穿朝服，胸前佩帶朝珠，他的頂戴花翎放在一旁的茶幾上。
在中、西兩種分歧類別的繪畫里，巨賈盧文錦呈現了兩種判然不同的抽像。通過肖像油畫，他需求他的觀眾——洋人一起配合伙伴們信任，他完整擁有與上級官員溝通以及經營財富的才遊艇設計能，是一位可以長久一起配合的伙伴。而人物畫《富山怡樂圖》里的盧文錦，則文質彬彬，兄弟手足相親，擁有顯赫的門少爺突然送來一張賀卡。 ，說我今天會來拜訪。”第和傑出的家風。這是盧文錦出于對自我抽像的樹立及其社會關系網絡的鞏固。
總策劃 | 杜傳貴 林海利
總統籌 | 孫愛群 陳橋生
統籌執行 | 鄧瓊 吳小攀 朱紹杰
文｜記者 文藝新古典設計 朱紹杰
視頻出鏡|｜羅會所設計奇 周欣怡 潘遷
圖｜文三原
翻譯｜劉佳慧
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